(…) dead (…), presumably zoological specimens that temporarily served as true-to-life photo models. Through their particular representations, portrayed in somewhat unnaturally arranged postures, with flora and monochrome backgrounds, they give themselves away as products of culture rather than nature. (…) snakes shed their skin, a doubling displacement occurs with the postcards: the transparent lamination has coolly crawled from picture side to writing side—or, alternatively, the now-exposed snakes are revived as they abandon their own double negation.
—Timo Demollin, 2022
(…) dead (…), presumably zoological specimens that temporarily served as true-to-life photo models. Through their particular representations, portrayed in somewhat unnaturally arranged postures, with flora and monochrome backgrounds, they give themselves away as products of culture rather than nature. (…) snakes shed their skin, a doubling displacement occurs with the postcards: the transparent lamination has coolly crawled from picture side to writing side—or, alternatively, the now-exposed snakes are revived as they abandon their own double negation.
—Timo Demollin, 2022
(…) dead (…), presumably zoological specimens that temporarily served as true-to-life photo models. Through their particular representations, portrayed in somewhat unnaturally arranged postures, with flora and monochrome backgrounds, they give themselves away as products of culture rather than nature. (…) snakes shed their skin, a doubling displacement occurs with the postcards: the transparent lamination has coolly crawled from picture side to writing side—or, alternatively, the now-exposed snakes are revived as they abandon their own double negation.
—Timo Demollin, 2022
(…) dead (…), presumably zoological specimens that temporarily served as true-to-life photo models. Through their particular representations, portrayed in somewhat unnaturally arranged postures, with flora and monochrome backgrounds, they give themselves away as products of culture rather than nature. (…) snakes shed their skin, a doubling displacement occurs with the postcards: the transparent lamination has coolly crawled from picture side to writing side—or, alternatively, the now-exposed snakes are revived as they abandon their own double negation.
—Timo Demollin, 2022
(…) dead (…), presumably zoological specimens that temporarily served as true-to-life photo models. Through their particular representations, portrayed in somewhat unnaturally arranged postures, with flora and monochrome backgrounds, they give themselves away as products of culture rather than nature. (…) snakes shed their skin, a doubling displacement occurs with the postcards: the transparent lamination has coolly crawled from picture side to writing side—or, alternatively, the now-exposed snakes are revived as they abandon their own double negation.
—Timo Demollin, 2022